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Descendants of the Sun

  Captain of the Korean Special Forces Yoo Si-jin and Dr. Kang Mo-yeon are people he encounters while transporting a juvenile thief to the hospital with Master Sergeant Seo Dae-young.  He draws her in right away, but she thinks he was the one who hurt the man. They begin dating when their mistake is cleared up, and everything seems to be going well until he gets moved to Uruk, a fictitious nation in the Balkans. Though it would mark the end of their romance, Dr. Kang and her staff are soon given the responsibility of managing a field hospital in Uruk. The soldier and doctor are reunited as a result. Together, they had to overcome a number of threats, including an earthquake and a run-in with a band of criminals lead by one of Yoo Si-former jin's allies. There are other relationships; Master Sergeant Seo Dae-young has an on-again, off-again relationship with First Lieutenant Yoon Myung-ju, who is forbidden from dating enlisted men by her father, a general. I really liked this...

LIGHT YEAR

Since Pixar has established such high standards, it feels like a letdown when they produce a film that is decent but not outstanding, even if it shouldn't. Lightyear is another strong addition to the studio's formidable catalogue, even though it only aspires for infinity.

Despite being based on a significant character from the Toy Story films, you won't find any talking toys here. No, this is a rather simple science fiction film about an unusual team of space rangers striving to accomplish a job in the face of overwhelming difficulties. A feeble attempt is made to tie it to the first Toy story, but this is unnecessary because the narrative functions best as a stand-alone adventure. Pixar has tackled sci-fi once before, but Lightyear takes a far more conventional approach to the genre.

LIGHT YEAR


Because we've seen many of these plot components before, the movie doesn't really have many thrilling twists or turns. Pixar may be venturing into unknown waters, but decades of live action science fiction media have made it difficult to feel really innovative in the field. Even if the plot seems well-worn, Pixar's trademark magic is still very much there in the tale.

Do I really need to mention how stunning the graphics are? It should come as no surprise that Pixar produces animation of a higher caliber and with greater attention to detail than any other company, but still this still managed to wow me. The grittier, more realistic approach worked brilliantly here even if it isn't as vibrant and colorful as many of their previous films. A cinematography enthusiast would salivate at some of the genuinely breathtaking "shots" in this film.

I never once noticed Tim Allen's distinctive voice as Chris Evans effortlessly transitioned into the character of Buzz Lightyear. Evans contributes with a similar seriousness but in a softer, more sentimental voice. Keke Palmer and Peter Sohn stand out among the talented supporting cast, which is very impressive.

Lightyear is a pleasant independent space adventure that the whole family can enjoy, even though it doesn't reach the lofty heights set by Pixar's earlier work. That would be a worthwhile endeavor, in my opinion.


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